Oliver Nelson
Oliver Nelson | |
---|---|
Born | St. Louis, Missouri |
June 4, 1932
Died | Script error: The function "death_date_and_age" does not exist. Los Angeles |
Genres | Bebop, hard bop, post-bop, jazz fusion |
Occupation(s) | Musician, composer, arranger |
Instruments | Soprano saxophone, alto saxophone, tenor saxophone, and clarinet |
Labels | Verve Impulse! Prestige Argo Flying Dutchman |
Oliver Edward Nelson (June 4, 1932 – October 28, 1975) was an American jazz saxophonist, clarinetist, arranger, composer, and bandleader.[1]
He is perhaps best remembered for his groundbreaking 1961 Impulse! album The Blues and the Abstract Truth, widely regarded as one of the most significant American jazz recordings of the modern jazz era. The centerpiece of the album is the definitive version of Nelson's composition, "Stolen Moments". Other important recordings from the early 1960s are More Blues and the Abstract Truth and Sound Pieces, both also on Impulse!.[2]
Contents
Biography
Early life and career
Oliver Nelson was born into a musical family. His brother was a saxophonist who played with Cootie Williams in the 1940s, and his sister sang and played piano. Nelson began learning to play the piano when he was six and started on the saxophone at eleven. Beginning in 1947 he played in "territory" bands in and around Saint Louis before joining the Louis Jordan band where he stayed from 1950 to 1951, playing alto saxophone and arranging.[3][4]
In 1952 Nelson underwent military service in the Marines playing woodwinds in the 3rd Division band in Japan and Korea. It was in Japan that Nelson attended a concert by the Tokyo Philharmonic Orchestra and heard Maurice Ravel's Mother Goose Suite and Paul Hindemith's Symphony in E Flat. Nelson later recalled that this "'was the first time that I had heard really modern music for back in St. Louis I hadn't even known that Negroes were allowed to go to concerts. I realized everything didn't have to sound like Beethoven or Brahms ... . It was then that I decided to become a composer'".[5]
Nelson returned to Missouri to study music composition and theory at Washington and Lincoln Universities, graduating with a master's degree in 1958. Nelson also studied with composers Elliott Carter, Robert Wykes and George Tremblay.[6][3]
While back in his hometown of St. Louis, he met and married Eileen Mitchell; the couple had a son, Oliver Nelson Jr., but soon divorced. After graduation, Nelson married St. Louis native Audrey McEwen, a union which lasted until his death and produced a son, Nyles.
After completing his degree Nelson moved to New York City, playing with Erskine Hawkins and Wild Bill Davis, and working as the house arranger for the Apollo Theater in Harlem. He also played on the West Coast briefly with the Louie Bellson big band in 1959, and in the same year began recording for Prestige Records as the leader of various small groups. From 1960 to 1961 he briefly played with Count Basie and Duke Ellington and then joined the Quincy Jones big band playing tenor saxophone, both in the U.S. and on tour in Europe.[3]
Breakthrough and afterwards
After six albums as leader between 1959 and 1961 for the Prestige label (with such musicians as Kenny Dorham, Johnny Hammond Smith, Eric Dolphy, Roy Haynes, King Curtis and Jimmy Forrest), Nelson's big breakthrough came with The Blues and the Abstract Truth, this made his name as a composer and arranger, and he went on to record a number notable of big-band albums including Afro-American Sketches and Full Nelson.[3]
He worked as an arranger on large ensemble albums for Cannonball Adderley, Sonny Rollins, Eddie "Lockjaw" Davis, Johnny Hodges, Wes Montgomery, Buddy Rich, Jimmy Smith, Billy Taylor, Stanley Turrentine, Irene Reid, Gene Ammons and many others. He also led all-star big bands in various live performances between 1966 and 1975. Nelson continued to perform as a soloist during this period, focusing primarily on soprano saxophone.
In 1967 Nelson moved to Los Angeles to be near the television and movie industry and began composing background music for television and films. Television projects included Ironside, Night Gallery, Columbo, The Six Million Dollar Man and Longstreet. Films scored by Nelson include Death of a Gunfighter (1969), Skullduggery (1970) and Zig Zag (1970).[4] He also arranged Sonny Rollins' music for Alfie (1966) and Gato Barbieri's music for Last Tango in Paris (1972). During this time he also arranged and produced albums for pop stars such as Nancy Wilson, James Brown, the Temptations, and Diana Ross.
Along with his big-band appearances (in Berlin, Montreux, New York, and Los Angeles), he toured West Africa with a small group. Less well-known is the fact that Nelson composed several symphonic works, and was also deeply involved in jazz education, returning to his alma mater, Washington University, in the summer of 1969 to lead a five-week-long clinic that also featured such guest performers as Phil Woods, Mel Lewis, Thad Jones, Sir Roland Hanna, and Ron Carter. His book of jazz practice exercises, Patterns for Improvisation, was published in 1966 and remains highly regarded to this day.
Nelson died of a heart attack on October 28, 1975 at the age of 43.[4]
Discography
As leader
- 1959: Meet Oliver Nelson
- 1960: Taking Care of Business
- 1960: Screamin' the Blues
- 1960: Nocturne
- 1960: Soul Battle with King Curtis and Jimmy Forrest
- 1961: Straight Ahead
- 1961: Main Stem
- 1962: Afro/American Sketches
- 1961: The Blues and the Abstract Truth
- 1964: More Blues and the Abstract Truth
- 1966: Oliver Nelson Plays Michelle
- 1966: Sound Pieces
- 1966: Happenings with Hank Jones
- 1967: The Spirit of '67 with Pee Wee Russell
- 1967: The Kennedy Dream
- 1967: Live from Los Angeles
- 1968: Soulful Brass with Steve Allen
- 1963: Full Nelson
- 1966: Leonard Feather's Encyclopedia of Jazz
- 1966: Leonard Feather Presents the Sound of Feeling and the Sound of Oliver Nelson
- 1967: Jazzhattan Suite
- 1968: Soulful Brass No. 2
- 1969: Black Brown and Beautiful
- 1970: The Mayor and the People
- 1970: Berlin Dialogue for Orchestra
- 1970: Leon Thomas In Berlin with Oliver Nelson
- 1971: Swiss Suite
- 1974: In London with Oily Rags
- 1975: Skull Session
- 1976: A Dream Deferred
- Other labels
- 1962: Impressions of Phaedra (United Artists)
- 1964: Fantabulous (Argo)
- 1975: Stolen Moments (East Wind Records/Inner City Records)
As arranger/conductor
With Cannonball Adderley
- Domination (Capitol, 1965)
With Air Pocket
- Fly On (East Wind Records, 1975)
With Gene Ammons
- Soul Summit Vol. 2 (Prestige, 1961 [1962])
- Late Hour Special (Prestige, 1961 [1964])
- Velvet Soul (Prestige, 1961 [1964])
With Count Basie
- Afrique (Flying Dutchman, 1970)
With Mel Brown
- Chicken Fat (Impulse!, 1967)
With Ray Brown and Milt Jackson
- Ray Brown / Milt Jackson (Verve, 1965)
- Trane Whistle (Prestige, 1960)
With Art Farmer
- Listen to Art Farmer and the Orchestra (Mercury, 1962)
With Jimmy Forrest
- Soul Street (New Jazz, 1962)
With Paul Horn
- Monday, Monday (RCA Victor, 1966)
With Etta Jones
- From the Heart (Prestige, 1962)
With Ramsey Lewis
- Country Meets the Blues (Argo, 1962)
With Herbie Mann
- My Kinda Groove (Atlantic, 1964)
- Latin Mann (Columbia, 1965)
- Our Mann Flute (Atlantic, 1966)
With Carmen McRae
- Portrait of Carmen (Atlantic, 1967)
With Wes Montgomery
- Goin' Out of My Head (Verve, 1965)
With Shirley Scott
- For Members Only (Impulse!, 1963)
- Great Scott!! (Impulse!, 1964)
- Roll 'Em: Shirley Scott Plays the Big Bands (Impulse!, 1966)
With Jimmy Smith
- Bashin': The Unpredictable Jimmy Smith (Verve, 1962)
- Hobo Flats (Verve, 1963)
- Who's Afraid of Virginia Woolf? (Verve, 1964)
- Monster (Verve, 1965)
- Peter & the Wolf (Verve, 1966)
- Jimmy & Wes: The Dynamic Duo (with Wes Montgomery) (Verve, 1966)
With Billy Taylor
- Right Here, Right Now! (Capitol Records, 1963)
With Clark Terry
- Clark Terry Plays the Jazz Version of All American (Moodsville, 1962)
With Frank Wess
- Southern Comfort (Prestige, 1962)
As sideman
With Cannonball Adderley
- African Waltz (Riverside, 1961)
With Manny Albam
- Jazz Goes to the Movies (Impulse!, 1962)
With Louis Bellson
- The Brilliant Bellson Sound (Verve, 1959)
With Chris Conner
- Free Spirits (Atlantic, 1962)
With Duke Ellington
- Paris Blues (United Artists, 1962)
With Red Garland
- Soul Burnin' (Prestige, 1961)
- Rediscovered Masters, Vol. 2 (Prestige 1961)
With J.J. Johnson
- J.J.! (RCA Victor, 1965)
With Etta Jones
- Something Nice (Prestige, 1960 [1961])
- Hollar! (Prestige, 1960 [1963])
With Quincy Jones
- I Dig Dancers (Mercury, 1960)
- The Quintessence (Impulse!, 1961)
- The Pawnbroker (Mercury, 1965)
With Mundell Lowe
- Satan in High Heels (soundtrack) (Charlie Parker, 1961)
With Gary McFarland
With Joe Newman
- Joe Newman Quintet at Count Basie's (Mercury, 1961)
With Shirley Scott
- Blue Seven (Prestige, 1961)
- Talk That Talk (New Jazz, 1960)
References
- ↑ Allmusic
- ↑ Impulse! Records catalog at http://www.jazzdisco.org/impulse-records/
- ↑ 3.0 3.1 3.2 3.3 Joe Goldberg, "Focus on Oliver Nelson" – Down Beat magazine, February 15, 1962 Vol. 29, No. 4. page 17.
- ↑ 4.0 4.1 4.2 Phil Woods, Reflections in E-flat – Saxophone Journal, September/October 1995 page 62.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
External links
- Oliver Nelson – AllMusic biography by Scott Yanow
- Oliver Nelson – brief introduction from the Jazz Files
- Oliver Nelson – introduction from Impulse! Records
- Oliver Nelson: A Discography – Douglas Payne's site, including discographies of Nelson's work in different genres, reviews, etc.
- Oliver Nelson Published Big Band Arrangements and Compositions
- Use mdy dates from November 2015
- Articles with hCards
- 1932 births
- 1975 deaths
- Musicians from St. Louis, Missouri
- African-American composers
- African-American jazz musicians
- American jazz clarinetists
- American jazz composers
- American jazz saxophonists
- American music arrangers
- Hard bop saxophonists
- Mainstream jazz saxophonists
- Post-bop saxophonists
- Soul-jazz saxophonists
- Washington University in St. Louis alumni
- Prestige Records artists
- RCA Records artists
- Verve Records artists
- Impulse! Records artists
- Inner City Records artists
- Flying Dutchman Records artists
- United States Marines
- Jazz arrangers
- 20th-century composers
- 20th-century American musicians