List of accolades and awards received by Ingmar Bergman

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List of accolades and awards for Ingmar Bergman
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Ingmar Bergman (14 July 1918 – 30 July 2007) was a Swedish director, writer, and producer who worked in film, television, theatre and radio. He is recognized as one of the most accomplished and influential filmmakers of all time,[1][2][3][4] and is well known for films such as The Seventh Seal (1957), Wild Strawberries (1957), Persona (1966), Cries and Whispers (1972), and Fanny and Alexander (1982).

Bergman directed over sixty films and documentaries for cinematic release and for television, most of which he also wrote. He also directed over 170 plays. From 1953, he forged a powerful creative partnership with his full-time cinematographer Sven Nykvist. Among his company of actors were Harriet and Bibi Andersson, Liv Ullmann, Gunnar Björnstrand, Erland Josephson, Ingrid Thulin and Max von Sydow. Most of his films were set in Sweden, and numerous films from Through a Glass Darkly (1961) onward were filmed on the island of Fårö. His work often deals with death, illness, faith, betrayal, bleakness and insanity.

Philip French referred to Bergman as among the greatest artists of the 20th century.[5] Mick LaSalle compared Bergman's significance in film to that of Virginia Woolf and James Joyce in literature.[6]

List of accolades

Bust of Ingmar Bergman in Celebrity Alley in Kielce, Poland

Terrence Rafferty of The New York Times wrote that throughout the 1960s, when Bergman "was considered pretty much the last word in cinematic profundity, his every tic was scrupulously pored over, analyzed, elaborated in ingenious arguments about identity, the nature of film, the fate of the artist in the modern world and so on."[7] Many filmmakers have praised Bergman[8] and some have also cited his work as an influence on their own:

  • Andrei Tarkovsky[9] held Bergman in very high regard, noting him and Robert Bresson as his two favourite filmmakers, stating: "I am only interested in the views of two people: one is called Bresson and one called Bergman." Such was Bergman's influence, Tarkovsky's last film was made in Sweden with Sven Nykvist, Bergman's longtime cinematographer, and several of Bergman's favoured actors including Erland Josephson. Bergman likewise had great respect for Tarkovsky, stating: "Tarkovsky for me is the greatest director."[10]
  • Alejandro González Iñárritu while entering the Berg-man compound (Bergman's house) on the remote island of Fårö for a documentary called Trespassing Bergman stated "If cinema was a religion, this would be Mecca, the Vatican. This is the center of it all."[11]
  • Bertrand Tavernier stated: "Bergman was the first to bring metaphysics — religion, death, existentialism — to the screen ... but the best of Bergman is the way he speaks of women, of the relationship between men and women. He’s like a miner digging in search of purity."[2]
  • Nuri Bilge Ceylan[12]
  • Steven Soderbergh[13]
  • David Lynch[13]
  • Wes Craven[14][15]
  • Pedro Almodóvar[16]
  • Jean-Luc Godard[17]
  • Robert Altman[18]
  • Adoor Gopalakrishnan[19][20]
  • Olivier Assayas[21]
  • Francis Ford Coppola[22] stated: "My all-time favorite because he embodies passion, emotion and has warmth."
  • Guillermo del Toro said: "Bergman as a fabulist — my favorite — is absolutely mesmerizing."[23]
  • Asghar Farhadi[24]
  • Todd Field[25] stated: "He was our tunnel man building the aqueducts of our cinematic collective unconscious."
  • Federico Fellini[26] said: "I have a profound admiration for him (Bergman) and for his work, even though I haven’t seen all of his films. First of all, he is a master of his métier. Secondly, he is able to make things mysterious, compelling, colorful and, at times, repulsive."
  • Woody Allen[27] has referred to Bergman as "probably the greatest film artist, all things considered, since the invention of the motion picture camera".[28] He said, "For me it was Wild Strawberries. Then The Seventh Seal and The Magician. That whole group of films that came out then told us that Bergman was a magical filmmaker. There had never been anything like it, this combination of intellectual artist and film technician. His technique was sensational." Allen has credited Bergman with inventing "a film vocabulary that suited what he wanted to say, that had never really been done before. He'd put the camera on one person's face close and leave it there, and just leave it there and leave it there. It was the opposite of what you learned to do in film school, but it was enormously effective and entertaining."[27]
  • Krzysztof Kieślowski[29] stated: "This man is one of the few film directors — perhaps the only one in the world — to have said as much about human nature as Dostoyevsky or Camus."
  • Stanley Kubrick[30] stated: "I believe Ingmar Bergman, Vittorio De Sica and Federico Fellini are the only three filmmakers in the world who are not just artistic opportunists. By this I mean they don't just sit and wait for a good story to come along and then make it. They have a point of view which is expressed over and over and over again in their films, and they themselves write or have original material written for them." Kubrick praised Bergman as "The Greatest film-maker, unsurpassed by anyone in the creation of mood and atmosphere, the subtlety of performance, the avoidance of the obvious, the truthfulness and completeness of characterization."[8]
  • Ang Lee stated: "For me the filmmaker Bergman is the greatest performer of all...",[31][32] "He (Bergman) is like God to me. I will take inspiration. I won’t dare to imitate"[33][34]
  • François Ozon[21]
  • Park Chan-wook[21]
  • Éric Rohmer stated: "The Seventh Seal is the most beautiful film ever."[21]
  • Marjane Satrapi[21]
  • Mamoru Oshii[35]
  • Paul Schrader stated: "I would not have made any of my films or written scripts such as Taxi Driver had it not been for Ingmar Bergman. What he has left is a legacy greater than any other director. I think the extraordinary thing that Bergman will be remembered for, other than his body of work, was that he probably did more than anyone to make cinema a medium of personal and introspective value."[36]
  • Martin Scorsese said: "I guess I'd put it like this: if you were alive in the '50s and the '60s and of a certain age, a teenager on your way to becoming an adult, and you wanted to make films, I don't see how you couldn't be influenced by Bergman. You would have had to make a conscious effort, and even then, the influence would have snuck through."[37]
  • Steven Spielberg stated: "His love for the cinema almost gives me a guilty conscience."[38]
  • Satyajit Ray[39] stated: "I have great admiration for Bergman...It's Bergman whom I continue to be fascinated by. I think he's remarkable. I envy his stock company, because given actors like that one could do extraordinary things."
  • André Téchiné[21]
  • Liv Ullmann[40]
  • Lars von Trier, in reference to having once sent Bergman a letter, jokingly said, "I have seen all his movies, he is a great source of inspiration to me. He was like a father to me. But he treated me in the same way he treated all his children. No interest whatsoever!"[41]

Legacy accolades in popular culture

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See also: The Dove (1968 film)

A Bergman-themed parody spoofs the allegory of cheating death (Bergman's The Seventh Seal) in the sketch comedy show Saturday Night Live season 1 (ep. 23, 24 July 1976). The sketch, titled "Swedish Movie", is somberly narrated in the third-person by a Swedish-speaking Death (Tom Schiller) with English subtitles scrolling. The baleful voice-over dialogue, revealed to be emanating from the apparition of Death personified, imposes upon dreamily preoccupied lovers Sven (Chevy Chase) and Inger (Louise Lasser) who send a not-so-silently jeering Death out for pizza.

Monty Python's The Meaning of Life includes a sketch based on The Seventh Seal in which middle-class weekenders at an isolated farmhouse are visited by The Grim Reaper.

A television spoof of Persona appeared in an episode of the Canadian comedy series SCTV in the late 1970s.[42] SCTV later aired another Bergman parody, this time of Scenes From A Marriage that featured actor Martin Short portraying comedian Jerry Lewis as the star of a fictional Bergman film called Scenes From An Idiot's Marriage.[43]

Bill & Ted's Bogus Journey includes a further spoof on the theme of playing games with Death from Bergman's The Seventh Seal. Bill and Ted are set to play a game with Death. Rather than chess, they play checkers. When Bill and Ted win, Death challenges them to a best of three match, wherein they play Battleship and other games from popular culture.

The Muppets franchise had a spoof of Bergman's style in a segment entitled "Silent Strawberries" from the TV special, The Muppets Go to the Movies.[44]

In Season 2 Episode 2 of Welcome to Sweden, Jason Priestley asks to meet Ingmar Bergman.

Directed Academy Award performances

Bergman directed two Oscar nominated performances.

Year Performer Film Result
Academy Award for Best Actress
1976 Liv Ullmann Face to Face Nominated
1979 Ingrid Bergman Autumn Sonata Nominated

Awards and nominations

Academy Awards

In 1971, Bergman received the Irving G. Thalberg Memorial Award at the Academy Awards ceremony. Three of his films won the Academy Award for Best Foreign Language Film. The list of his nominations and awards follows:

Year Category Nominated work Result Ref.
4 April 1960 Best Original Screenplay Wild Strawberries Nominated [45]
17 April 1961 Best Foreign Language Film The Virgin Spring Won [46]
9 April 1962 Best Foreign Language Film Through a Glass Darkly Won [47]
8 April 1963 Best Original Screenplay Nominated [48]
2 April 1974 Best Picture Cries and Whispers Nominated [49]
Best Director Nominated
Best Original Screenplay Nominated
28 March 1977 Best Director Face to Face Nominated [50]
9 April 1979 Best Original Screenplay Autumn Sonata Nominated [51]
9 April 1984 Best Foreign Language Film Fanny and Alexander Won [52]
Best Director Nominated
Best Original Screenplay Nominated

BAFTA Awards

Year Category Nominated work Result
1957 Best Film from any Source Smiles of a Summer Night Nominated
1959 Wild Strawberries Nominated
1960 The Magician Nominated[53]
1963 Through a Glass Darkly Nominated
1984 Film Not in the English Language Fanny and Alexander Nominated[54]

Berlin Film Festival

Cannes Film Festival

Year Category Nominated work Result Ref.
1955 Best Poetic Humour Smiles of a Summer Night Won [57]
Palme d'Or Nominated
1957 Jury Special prize The Seventh Seal Won [57]
1958 Best Director Brink of Life Won [57]
Palme d'Or Nominated
May 1960 Special Mention The Virgin Spring Won [58]
Palme d'Or Nominated
FIPRESCI Prize Won [56]
10–25 May 1973 Vulcan Technical Grand Prize Cries and Whispers Won [59]
1997 Palm of Palms For his whole body of work Won [57]
1998 Prize of the Ecumenical Jury Won [60]
Un Certain Regard Award In the Presence of a Clown Nominated

Venice Film Festival

Year Category Nominated work Result
1958 Pasinetti Award Wild Strawberries Won
1959 Grand Jury Prize The Magician Won[61]
Golden Lion Nominated[62]
New Cinema Award Won
Pasinetti Award Won
1983 FIPRESCI Prize Fanny and Alexander Won[63]

Cesar Awards

Year Category Nominated work Result Ref.
1976 Best Foreign Film The Magic Flute Nominated [64]
1979 Best Foreign Film Autumn Sonata Nominated [65]
3 March 1984 Best Foreign Film Fanny and Alexander Won [66]
2005 Best European Film Saraband Nominated [67]

Bodil Award

Year Category Nominated work Result Ref
1957 Best European Film Smiles of a Summer Night Won [68]
1959 Wild Strawberries Won
1974 Cries and Whispers Won
1979 Autumn Sonata Won

Golden Globe Awards

Year Category Nominated work Result Ref.
1960 Best Foreign Language Film Wild Strawberries Won [69]
16 March 1961 Best Foreign Language Film The Virgin Spring Won [70]
24 February 1969 Best Foreign Language Film Shame Nominated [71]
28 January 1973 Best Foreign Language Film Cries and Whispers Nominated [72]
25 January 1975 Best Foreign Language Film Scenes from a Marriage Won [73]
24 January 1976 Best Foreign language Film The Magic Flute Nominated
29 January 1977 Best Foreign Language Film Face to Face Won [74]
27 January 1979 Best Foreign Language Film Autumn Sonata Won [75]
28 January 1984 Best Foreign Language Film Fanny and Alexander Won [76]
Best Director – Motion Picture Nominated

Nastro d'Argento

Year Category Nominated work Result Ref.
1960 Best Non-Italian Film Wild Strawberries Won [3]
1961 The Seventh Seal Won
1974 Cries and Whispers Won
1979 Autumn Sonata Won
1984 Fanny and Alexander Won

Guldbagge Awards

Year Category Nominated work Result Ref.
25 September 1964 Best Film The Silence Won [77]
Best Director Won
9 October 1967 Best Film Persona Won [78]
29 October 1973 Best Film Cries and Whispers Won [79]
31 October 1983 Best Film Fanny and Alexander Won [80]
Best Director Won
1 March 1993 Best Screenplay The Best Intentions Won [81]

Other awards and honours

Year Category Nominated work Result Ref.
1959 National Board of Review Award for Best Foreign Language Film Wild Strawberries Won [85]
January 1968 National Society of Film Critics Award for Best Director Persona Won [86]
National Society of Film Critics Award for Best Film Won
National Society of Film Critics Award for Best Screenplay 2nd Place
January 1969 National Society of Film Critics Award for Best Director Shame Won (for two films other one Hour of the Wolf) [87]
National Society of Film Critics Award for Best Screenplay 2nd Place
National Society of Film Critics Award for Best Film Won
1969 National Board of Review Award for Best Foreign Language Film Won [85]
10 January 1971 National Society of Film Critics Award for Best Director The Passion of Anna Won
1973 David di Donatello for Best Foreign Director Cries and Whispers Won [88]
24 December 1973 National Board of Review Award for Best Director Won [89]
National Board of Review Award for Best Foreign Language Film Won
29 December 1972 National Society of Film Critics Award for Best Screenplay Won [90]
3 January 1973 New York Film Critics Circle Award for Best Film Won [91]
New York Film Critics Circle Award for Best Director Won
New York Film Critics Circle Award for Best Screenplay Won
5 January 1975 National Society of Film Critics Award for Best Screenplay Scenes from a Marriage Won [92][93]
National Society of Film Critics Award for Best Film Won
National Society of Film Critics Award for Best Director Runner-up
28 January 1975 New York Film Critics Circle Award for Best Director Runner-up [94][95]
New York Film Critics Circle Award for Best Screenplay Won
New York Film Critics Circle Award for Best Film Runner-up
December 21, 1976 Los Angeles Film Critics Association Award for Best Foreign Language Film Face to Face Won [96]
22 December 1976 National Board of Review Award for Best Foreign Language Film Nominated [97]
1976 British Academy Television Award for Best Foreign Television Programme The Magic Flute Won [98]
29 December 1975 National Society of Film Critics Special Award Won [99]
19 December 1978 National Board of Review Award for Best Foreign Language Film Autumn Sonata Won [100]
National Board of Review Award for Best Director Won
28 January 1979 New York Film Critics Circle Award for Best Director 3rd place [101]
New York Film Critics Circle Award for Best Foreign Language Film 2nd place
1983 Directors Guild of America Award for Outstanding Directing – Feature Film Fanny and Alexander Nominated [102]
29 January 1984 New York Film Critics Circle Award for Best Director Won [103]
New York Film Critics Circle Award for Best Foreign Language Film Won
1984 National Board of Review Award for Best Foreign Language Film Won [85]
1984 Los Angeles Film Critics Association Award for Best Foreign Language Film Won [104]
1984 David di Donatello for Best Foreign Director Won [105]
David di Donatello for Best Foreign Film Won
David di Donatello for Best Foreign Screenplay Won
1988 European Film Academy Lifetime Achievement Award Won
1996 Nastro d'Argento Lifetime Achievement Award Won

Exhibitions

Filmography

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Main article: Ingmar Bergman filmography

See also

References

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Bibliography

  • Bergman on Bergman: Interviews with Ingmar Bergman. By Stig Björkman, Torsten Manns, and Jonas Sima; translated by Paul Britten Austin. Simon & Schuster, New York. Swedish edition copyright 1970; English translation 1973.
  • Filmmakers on filmmaking: the American Film Institute seminars on motion pictures and television (edited by Joseph McBride). Boston, Houghton Mifflin Co., 1983.
  • Images: my life in film, Ingmar Bergman. Translated by Marianne Ruuth. New York, Arcade Pub., 1994, ISBN 1-55970-186-2
  • Lua error in package.lua at line 80: module 'strict' not found.
  • The Magic Lantern, Ingmar Bergman. Translated by Joan Tate New York, Viking Press, 1988, ISBN 0-670-81911-5
  • The Demons of Modernity: Ingmar Bergman and European Cinema, John Orr, Berghahn Books, 2014.
  • Lua error in package.lua at line 80: module 'strict' not found.

External links

Bibliographies
Awards and achievements
Preceded by Prix du Jury
1957
for The Seventh Seal		 Succeeded by
Jacques Tati
for Mon Oncle
Preceded by Prix de la mise en scène
1958
for Brink of Life		 Succeeded by
François Truffaut
for The 400 Blows
Preceded by Golden Bear
1958
for Wild Strawberries		 Succeeded by
Claude Chabrol
for Les Cousins
Preceded by Irving G. Thalberg Memorial Award
1971		 Succeeded by
Lawrence Weingarten
Preceded by Career Golden Lion
1971		 Succeeded by
Charles Chaplin, Anatali Golovnia, Billy Wilder
Preceded by New York Film Critics Circle Award for Best Director
1972
for Cries and Whispers		 Succeeded by
François Truffaut
for Day for Night
Preceded by New York Film Critics Circle Award for Best Screenplay
1972
for Cries and Whispers		 Succeeded by
George Lucas, Gloria Katz, Willard Huyck
for American Graffiti
Preceded by New York Film Critics Circle Award for Best Screenplay
1974
for Scenes from a Marriage		 Succeeded by
François Truffaut, Suzanne Schiffman, Jean Gruault
for The Story of Adele H.
Preceded by New York Film Critics Circle Award for Best Director
1983
for Fanny and Alexander		 Succeeded by
David Lean
for A Passage to India

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