Dynasty of Dunnum

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The Dynasty of Dunnum, sometimes called the Theogony of Dunnum or Dunnu or the Harab Myth,[1] is an ancient Mesopotamian mythical tale of successive generations of gods who take power through parricide and live incestuously with their mothers and/or sisters, until, according to a reconstruction of the broken text, more acceptable behavior prevailed with the last generation of gods,[2] Enlil and his twin sons Nušku and Ninurta, who share rule amicably.[3] It is extant in a sole-surviving late Babylonian copy[4] excavated from the site of the ancient city of Sippar by Hormuzd Rassam in the 19th century.[5]

Synopsis

It chronicles the conflict of generations of the gods who represent aspects of fertility, agriculture and the seasonal cycle:[6] heaven, earth, sea, river, plough, wild and domesticated animals, herdsman, pasture, fruit-tree and vine.[4]

It begins, according to a restoration:

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In the beginning, [Harab married earth.] Family and lord[ship he founded. Saying: “A]rable land we will carve out (of) the ploughed land of the country. [With the p]loughing of their harbu-ploughs they cause the creation of the sea. [The lands ploughed with the mayaru-pl]ow by themselves gave birth to Sumuqan. His str[onghold,] Dunnu, the eternal city, they created, both of them.[7]

— Translated by William W. Hallo, The world's oldest literature: studies in Sumerian belles-lettres

Then Sumuqan kills his father Harab (plough), marries his mother Ki (earth) and his sister and the cycle of carnage begins. The city of Dunnum was a synonymous toponym, with many places so named, such as one in the vicinity of Isin[7] and another lying of the right bank of the Euphrates in what is now northern Syria.[8] A dunnu is a fortified settlement, but the word can also be translated as strength or violence.[9]

Influence

The tale spread across to Phoenicia and over the Aegean, where its influence can be felt in the Ugarit myth Ba’al and Yam from the Ba’al cycle (ca. 1600-1200 BC),[2] the Hittite myth Song of Kumarbi (14th or 13th century BC)[1] and the Greek poet Hesiod’s Theogony (ca. 800-700 BC).[10]

References

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  5. Tablet BM 74329 at the British Museum.
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