Toko Shinoda
Toko Shinoda (篠田 桃紅 Shinoda Tōkō?, born March 28, 1913) is a Japanese artist working with sumi ink paintings and prints. Her art merges traditional calligraphy with modern abstract expression. A 1983 interview in Time magazine noted that “her trail-blazing accomplishments are analogous to Picasso’s”. Shinoda’s works had been exhibited in the Hague National Museum, the Art Institute of Chicago, Cincinnati Art Museum and other leading museums in the world.
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Biography
Shinoda was born into a wealthy family in Dalian, Manchuria, where her father managed a tobacco factory. Two years later, her family returned to Japan. Influenced by her father's love of sumi ink painting, calligraphy and Chinese poetry, Shinoda practiced calligraphy since she was six. She had her first exhibition in her 20's.
Shinoda traveled the United States from 1956 to 1958. She came into contact with the works of Jackson Pollock, which left a deep impression on her. She freed herself from the constraints of traditional calligraphy which she found "boring", to an expressive, abstract style. During her time in the United States, she had a number of exhibitions and was able to sell her work, making a name for herself. Her works were bought by Charles Laughton and John Lewis of the Modern Jazz Quartet. Shinoda also became involved in the abstract expressionist movement of the time.
She returned to Japan and continues to work even after she turned 100 in March 2013.[1]
She has remained unmarried and considers herself as married to her work.
Style and technique
She considers herself as not belonging to a particular school or style, but works all by herself.
The artist prefers her paintings and original drawings, because sumi ink presents unlimited color spectrum. In printmaking, Shinoda uses lithograph as her medium. Unlike woodcut that requires chisel, or etching that requires acid, lithograph allows Shinoda to work directly and spontaneously on the plate with her fluid brushstroke. Shinoda’s strokes are meant to suggest images and vitality of nature. She says, “Certain forms float up in my mind’s eye. Aromas, a blowing breeze, a rain-drenched gust of wind…the air in motion, my heart in motion. I try to capture these vague, evanescent images of the instant and put them into vivid form.”[citation needed] Shinoda's print editions are small, usually ranging from twelve to fifty-five, and after each edition has been pulled, she often adds a stroke or two of sumi color by hand to each print.
For her, expression is love. She considers however that she has not yet been able to convey that expression. She has been quoted as not being satisfied in finding that perfect line in her work.
She also created sliding doors with abstract blocks called Hi-fu-mi-yo in 1991 for the Zojo-ji in Tokyo.[2]
Her piece Evolution in 1996 which is a three-dimensional work created out of wood, painted in sumi ink.
See also
- Three perfections - integration of calligraphy, poetry and painting
Further reading
- Takashina, Shuji. Okada, Shinoda, and Tsukata: Three Pioneers of Abstract Painting in 20th Century Japan. Washington: Phillips Collection, c1979.
- Tolman, Mary and Tolman, Norman. Toko Shinoda: A New Appreciation. Rutland, Vermont: Charles E Tuttle Company, 1993.
References
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- ↑ http://www.japantimes.co.jp/culture/2013/05/22/arts/power-and-mastery-of-the-blank-space-toko-shinoda/#.VebVVH3Qgsc
