File:Frank Stella's 'Harran II', 1967.jpg

Summary

Frank Stella's 'Harran II', 1967. Polymer and fluorescent polymer paint on canvas, 120 x 240 inches. Solomon R. Guggenheim Museum

Licensing

Fair use rationale for Frank Stella:

1. This is a historically significant work that could not be conveyed in words.
2. Inclusion is for information, education and analysis only.
3. Its inclusion in the article(s) adds significantly to the article(s) because it shows the work of the subject of the article.
4. The image is a low resolution copy of the original work and would be unlikely to impact sales of prints or be usable as a desktop backdrop.

Fair use rationale for Color Field:

1. This is a historically significant work that could not be conveyed in words.
2. Inclusion is for information, education and analysis only.
3. Its inclusion in the article(s) adds significantly to the article(s) because it shows the work of the subject of the article.
4. The image is a low resolution copy of the original work and would be unlikely to impact sales of prints or be usable as a desktop backdrop.

Fair use rationale for Western painting:

1. This is a historically significant work that could not be conveyed in words.
2. Inclusion is for information, education and analysis only.
3. Its inclusion in the article(s) adds significantly to the article(s) because it shows the work of the subject of the article.
4. The image is a low resolution copy of the original work and would be unlikely to impact sales of prints or be usable as a desktop backdrop.

Fair use rationale for History of painting:

1. This is a historically significant work that could not be conveyed in words.
2. Inclusion is for information, education and analysis only.
3. Its inclusion in the article(s) adds significantly to the article(s) because it shows the work of the subject of the article.
4. The image is a low resolution copy of the original work and would be unlikely to impact sales of prints or be usable as a desktop backdrop.

Fair use rationale in Post-Painterly Abstraction:

1. This is a historically significant work that could not be conveyed in words.
2. Inclusion is for information, education and analysis only.
3. Its inclusion in the article(s) adds significantly to the article(s) because it shows the subject, or the work of artists in the movement of the subject, of the article(s).
4. The image is a low resolution copy of the original work and would be unlikely to impact sales of prints or be usable as a desktop backdrop.

Fair Use Rationale in 20th century Western painting:

1. The image is low resolution and unsuitable for commercial purposes.
2. It is representative of the work of Frank Stella, a subject of the article.
3. Its use enhances the reader's understanding of the topic.
4. No free-use equivalent is available or can be made.

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